Media studies research in the 1990s illustrated an incongruity between cultural diversity in the Australian community and the representation of that diversity on commercial television screens. Australian drama in particular received much criticism for its seemingly ‘Anglo’ portrayal of Australian society. Most of this former research was based on program content analysis and critical approaches to studying the media. From the mid-1990s, anecdotal evidence suggested an improvement in the casting of actors from culturally diverse backgrounds. This paper contextualises policy and industry developments in the 1990s related to cultural diversity and presents new research undertaken within the commercial television drama industry. In order to determine the status of cultural diversity and commercial television drama at the end of the 1990s, a casting survey of all Australian commercial drama programs broadcast in 1999 was carried out. This was complemented by interviews with industry personnel and a two-week content analysis of programming. The research establishes the degree of casting for actors from culturally diverse backgrounds and offers explanations for both improvements made over the previous years and the continuing obstacles faced by some groups in gaining a place in our popular drama programs.

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161 – 170
DOI
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Issues
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Agnes Horvath, Magic and the Will to Science: A Political Anthropology of Liminal Technicality
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Gibson Burrell, Ronald Hartz, David Harvie, Geoff Lightfoot, Simon Lilley and Friends, Shaping for Mediocrity: The Cancellation of Critical Thinking at our Universities
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Bas de Boer, How Scientific Instruments Speak: Postphenomenology and Technological Mediations in Neuroscientific Practice
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Bjørn Lomborg, False Alarm
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How does innovation arise in the bicycle sector? The users’ role and their betrayal in the case of the ‘gravel bike’
Cultural Diversity and Australian Commercial Television Drama: Policy, Industry and Recent Research Contexts
Original Articles